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Canons
A canon is a musical piece in which two or more parts are the same, up to some transformation.
Two-Part Canon with Free Bass
Here is a simple canon in which the upper two parts are identical, except that the second part starts one measure after the first part.
Performers: Rob Bocchino (Baroque violin), Sonia Lee (harpsichord).
Composed in 1999.
Diverse Canons on an Eleven-Note Subject
These pieces are inspired by the canons BWV 1087 by J.S. Bach. As with the Bach canons, these pieces can be scored for any instruments.
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Canon by Inversion, Subject in Bass: score, synthesized audio
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Double Canon: score, synthesized audio
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Double Canon by Inversion: score, synthesized audio
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Canon by Inversion and Augmentation: score, synthesized audio
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Double Canon by Retrograde: score, synthesized audio
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Double Canon by Retrograde Inversion: score, synthesized audio
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Canon by Inversion and Retrograde: score, synthesized audio
These canons use the following transformations:
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Inversion: One part is the same as the other one upside down.
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Retrograde: One part is the same as the other one backwards.
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Retrograde inversion: One part is the same as the other one upside down and backwards.
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Augmentation: One part is the same as the other one after lengthening every note by the same factor.
A double canon is a canon in which two pairs of parts are the same.
Composed in 2020-21.
Canonic Setting of Gloria Patri et Filio
This is a canonic setting of the traditional prayer Gloria et Patri et Filio. The entire piece is based on a single tune. It is in three sections: two three-part canons and a six-part canon. Also of note:
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The six-part canonic setting of et in saecula saeculorum (and in the ages of ages), with its repetition of the same material in different voices, paints a musical picture of “forever and ever.”
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The tune uses six of the seven scale degrees. The omitted scale degree is the sixth degree.
Composed in 1999; revised in 2025.